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82nd Academy Awards ceremony

The 82nd Academy Awards ceremony, held last night, received higher ratings than it had in several years. Unfortunately, this year's Oscars held few surprises. Here I do have to point while the awards held no surprises, they were historic. Kathryn Bigelow became the first woman to win the Best Director award. On a more dubious note, Sandra Bullock became the first actor to win both an Oscar and a Razzie in the same year.

I must confess I do not have very much of an opinion on the awards themselves, not having seen most of the films nominated this year. I have to say that it seems to me that they were predictable for the most part, with most of the front runners winning in their given categories. Mo'Nique took Best Supporting Actress. Christoph Waltz took Best Supporting Actor. Sandra Bullock took Best Actress. Jeff Bridges took Best Actor. The Hurt Locker took both Best Picture and Best Director. There only three categories in which I believe there was a bit of an upset. The Hurt Locker took both Best Sound Editing and Best Sound Mixing, technical categories in which I think most expected Avatar to win. Another possible upset may have been in the Best Adapted Screenplay category. I think many thought it would be the only Oscar that Up in the Air would take. Instead it went to Precious. While it may not be particularly objective and while it may be a bit petty, I must say I am glad Avatar lost Best Picture and James Cameron lost Best Director. While I have not seen either The Hurt Locker or Avatar, I have to say to this day I hold a grudge against Cameron for ever making Titanic...

At to the ceremony itself, it was a mix of good and bad--sadly, mostly bad. As to what was good about the ceremony, I thought the opening number with the ultracool Neil Patrick Harris was well done and entertaining. I also thought the memorial montage was well done, with James Taylor singing The Beatles' "In My Life." I also have to say I appreciated clips of the Best Song nominees being shown rather than the songs performed. To me performing the songs always dragged the ceremony out. And too often the songs that were nominated were, well, not very good (anyone remember "It's Hard Out Here for a Pimp?").

Sadly, there were only a few of the moments in the ceremony I really appreciated. Indeed, I fear Alec Baldwin and Steve Martin may go down as among the worst hosts in Oscar history. While a few of their gags were very good, there were many others that simply fell flat. To be honest, I am not sure that they can be blamed for their performances. I think the Oscar hosting duties may be something best performed by one person and one person alone. Of course, even at their worst, Baldwin and Martin were far more bearable than the interpretative dance sequence performed to the Best Original Score, which seemed dull to the extreme. I do appreciate that the Academy included a tribute montage to horror films, but I believe it was very poorly executed. First, I think they could have gotten someone better to introduce the montage. Kristen Stewart and Taylor Lautner are best known for their work in the Twilight films, which are not horror movies. Second, some of the clips shown not horror movies (New Moon, Edward Scissorhands, et. al.). Even worse, outside of Nosferatu and scenes from some of the Universal classics, the montage concentrated primarily on films made in the past thirty years. Wholly ignored were the classic Hammer horror movies, as was Val Lewton.

Another complaint I have is the way that the Best Actor and Best Actress awards were handled. Just as last year, fellow actors were brought out to pay tribute to the nominees before the award was presented. While this year this went better than last year (they at least got individuals who had worked with the nominees), to me it still drags the ceremony down. I do not want to hear what one actor has to say about another before the award is presented. I just want to see clips of the nominees' performances and then to see the award presented. That's it.

Of course, I must confess I generally do not expect much of Oscar hosts, and bad dance sequences seem de rigueur for the Academy Awards. One of the things that really displeased me about last night's ceremony was the seven minute tribute to John Hughes. I am sure that there are those who felt it was touching, but to me it was very, very objectionable. Quite simply, why should John Hughes have been singled out for a tribute apart from the memorial montage? This was not done for Alfred Hitchcock when he died in 1980. There was no individual tribute to Paul Newman last year. To me, to single out John Hughes above and over the others who died last year (who included Jennifer Jones and Karl Malden) is, quite simply, unfair.

Indeed, I am particularly irked by the John Hughes tribute given the short shrift given to Lauren Bacall, Roger Corman, and Gordon Willis, who won honorary Oscars this year. All we were given was a very short piece discussing the ceremony (held some time back), a few clips from their careers, and then an exceedingly brief shot of Miss Bacall and Mr. Corman. Not only did they not get to say anything, but the camera did not linger long on them. Indeed, they even cut the ovation they received rather than letting it simply fade out! To me this is not the proper treatment of legends such as Lauren Bacall, Roger Corman, and Gordon Willis, who made much more significant contributions to film than John Hughes in my humble opinion.

Over all, I must say that this year's Oscars was overly dull and not particularly well executed. I do hope in future years they do away with having actors pay tribute to the Best Actor and Best Actress nominees before those awards are presented. I also hope that they have no more interpretative dance sequences. And most of all, when someone wins an honorary Oscar, give them the time they deserve and let them say something!

Kathy Ireland 82nd Annual Academy Awards HQ Photos

Kathy Ireland 82nd Annual Academy Awards HQ Photos
Christoph Waltz won Best Supporting Actor for Inglourious Basterds while Mo'Nique won Best Supporting Actress for her performance in Precious. I'm not sure what she meant when she said during her acceptance speech, “I would like to thank the Academy for proving that it can be about the performance and not the politics." It could be she was referring to reports about her behavior with regard to promoting the film. But by the time she won the Golden Globe for best supporting actress back in January she was the clear favorite at the Oscars. So methinks she doth protest too much.

Kathy Ireland 82nd Annual Academy Awards Kathy Ireland arrived for the 82nd Annual Academy Awards in Hollywood

Sandra Bullock 82nd Annual Academy Awards HQ Photos

Sandra Bullock 82nd Annual Academy Awards HQ Photos Sandra Bullock arrival candids at the 82nd Annual Academy Awards in Hollywood.
Sandra Bullock won Best Actress for The Blind Side. Last night, Bullock was the recipient of the Golden Raspberry Award (or Razzie) for Worst Actress in All About Steve. Bullock accepted the award in person. It marks the first time an actor or actress has won an Oscar and a Razzie in the same year albeit for a different performance. A few years back Halle Berry won a Razzie for her performance in Catwoman and accepted the award in person. The Razzie came four years after she won Best Actress for Monster's Ball.

Sandra Bullock 82nd Annual Academy Awards. Sandra Bullock arrival candids at the 82nd Annual Academy Awards in Hollywood.

Demi Moore – 82nd Annual Academy Oscars Awards. Demi Moore – 82nd Annual Academy Awards in Hollywood.

Performance by an actor in a supporting role: Christoph Waltz in "Inglourious Basterds" (The Weinstein Company)
Best animated feature film of the year: "Up" (Walt Disney) Pete Docter
Achievement in music written for motion pictures (Original song): "The Weary Kind (Theme from Crazy Heart)" from "Crazy Heart" (Fox Searchlight) Music and Lyric by Ryan Bingham and T Bone Burnett
Original screenplay: "The Hurt Locker" (Summit Entertainment) Written by Mark Boal
Best animated short film: "Logorama" (Autour de Minuit); An Autour de Minuit Production Nicolas Schmerkin
Best documentary short subject: "Music by Prudence" An iThemba Production Roger Ross Williams and Elinor Burkett
Best live action short film: "The New Tenants;" A Park Pictures and M & M Production Joachim Back and Tivi Magnusson
Achievement in makeup: "Star Trek" (Paramount and Spyglass Entertainment) Barney Burman, Mindy Hall and Joel Harlow
Adapted screenplay: "Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate) Screenplay by Geoffrey Fletcher
Performance by an actress in a supporting role: Mo'Nique in "Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate)
Achievement in art direction: "Avatar" (20th Century Fox) Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
Achievement in costume design: "The Young Victoria" (Apparition) Sandy Powell
Achievement in sound editing: "The Hurt Locker" (Summit Entertainment) Paul N.J. Ottosson
Achievement in sound mixing: "The Hurt Locker" (Summit Entertainment) Paul N.J. Ottosson and Ray Beckett
Achievement in cinematography: "Avatar" (20th Century Fox) Mauro Fiore
Achievement in music written for motion pictures (Original score): "Up" (Walt Disney) Michael Giacchino
Achievement in visual effects: "Avatar" (20th Century Fox) Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
Best documentary feature: "The Cove" (Roadside Attractions) An Oceanic Preservation Society Production; Louie Psihoyos and Fisher Stevens
Achievement in film editing: "The Hurt Locker" (Summit Entertainment) Bob Murawski and Chris Innis
Best foreign language film of the year: "El Secreto de Sus Ojos" (Sony Pictures Classics) A Haddock Films Production; Argentina
Performance by an actor in a leading role: Jeff Bridges in "Crazy Heart" (Fox Searchlight)Performance by an actress in a leading role: Sandra Bullock in "The Blind Side" (Warner Bros.)Achievement in directing: "The Hurt Locker" (Summit Entertainment) Kathryn Bigelow
Best motion picture of the year: "The Hurt Locker" (Summit Entertainment) A Voltage Pictures Production; Kathryn Bigelow, Mark Boal, Nicolas Chartier and Greg Shapiro, Producers